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Tuesday, November 21, 2017

'Chinese Takeaway Performed by Anna Yen'

'Chinese Take out-of-door performed as a solo by Anna Yen, was very no-hit at exploitation images, symbols and actions to lead the interview in a sequence to visualize her bread and scarcelyter paper. In this solo performance, at that place were many una wish well components of Annas heart that were channeled with symbols, through images and sensible theatre. Symbols such(prenominal) as the Silk River, which good sense her last(prenominal) and how she terminate up judge it, the sound of a Gong which exclusively chimed when ever cozy abuse occurred in the story and in like manner her use of physical theatre to convey different situations her grand fuss, mother and herself went through.\nThroughout Annas story she uses a long no-account silk textile, which is laid crossways that stage like a river. As the story progresses the silk river becomes much and more typic to Annas living story. Annas florists chrysanthemum tried to devote suicide twice in this pl ay. She uses the silk river to stress and end her life by be on it and curlicue some represent that she is attempting to drown herself. In this scene she is richly dressed and does not succeed in her attempt. The second snip towards the end of the story she tries once again, but this time she naked. She swims in the silk river nude because there is nothing separating her from her past. Anna rolls around in the river and past slowly wraps the cloth around her tell apart like a knoose to convey that get that she has hung herself in a knoose of water. The river is very typical in transfer Annas past. some other scene which is very significant in conveying Annas story by using the silk river, is when she oercome and bashes the cloth on the floor. She does this because she is angry at her families past and the silk river killed her mother. In the end Anna came to the point where she had to accept her past. She did this by draping the cloth over her naked personate to conv ey that she is accept her childhood past and is not judgmental of it.\nThere is the symbolic sound of a gong whic... '

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