Examines the file "A Beautiful Mind".

The sapiditys of A ravishing Mind consists of manly medium, high lean and low angle shots. John Nash is lots shot in a medium shot. The film uses color as model(a) of good and evil.  During scenes where the lead Nash was in a good dead reckoning or was having something happy happen to him, the colors were all holy with a prospering hue. The lights looked gold, and it was as if all the actors faces were covered with meretricious morning sunlight. During the sad times in that respect was a dish out of desaturation going which gave it a pale gruesome or grayish tone. At one point when his married woman discovers he has reverted into wakeless schizophrenia and is about to accidentally turn thumbs down their child, it is of course raining, there is a fierce wind blowing, the star sign is devoid of some(prenominal) color and e trulything is gray. This treatment does hitherto; influence the mood of how we atomic number 18 supposititious to feel. High angle s hots are used to award exemption and low angle shots to show hope. His relationship with Alicia is often shot in high and low angle shots. A fair Mind elegantly uses small, nice effects early on. When Nash is at sea looking at geometric patterns, they dance across the artifice of their own accord; when he looks at a page of numbers, digits float up to greet him.

It is a smart visual, both suggesting the abstract joys of thought and the visual hallucinations to come. The look of the film was real crisp and clear. There seemed to be no originality in the mise-en-scene and that was perplexing. In the school environment you saw school things, in a wor! k environment you saw work things. It was as if they were more(prenominal) than concerned with dating and the period of the... If you want to get a full essay, order it on our website: OrderCustomPaper.com

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